Site-Work (III): The installation “Fluchtlinien (I)” (Lines of Flight) actively grapples with the particular feature of the Late-Gothic Chapel of the Kunstverein Kapelle Weitendorf, which lies between the metaphysics of light as purported by Robert Grosseteste (1170–1253) on the one hand, and the seminal concept of the “Lines of Flight” by the French philosopher Gilles Deleuze (1925–1995) on the other. “…The diaphanous impression created by light shining through takes on a similarly visual revelatory character through the lines printed on the backs of the wooden leaves. Interlocking almost automatically with the horizontal lines of the wood’s natural grain, they become visible as subtle, cracked silhouettes, indeterminate, graphic symbols in which the reversal of the printing process is in turn negated. Developed on the basis of geometric depictions of logarithmic progressions – a visual metaphor for the power of illumination – these parallel lines that intersect radially as they extend on to infinity and back loose some of the crystalline precision of geometric projection, gradually becoming volatile in their printed from, not unlike the abstract thought that gave rise do them. They are directed at no target, dissipate, becoming vague traces, which in wise humility emulate the secret of the surface, where they are lost in the natural and artistic writing and rewriting on the palimpsest…” (Quotation: Ralf Weingart, Staatliches Museum Schwerin, Chiasma (II))